Wang Xizhi

In the Hall for Cultivation of Mind of the Palace Museum, there is a Three-treasure Study, which derives its name for the three most valuable calligraphic works housed here. These three treasures, most valued and adored by Emperor Qianlong (r.1736-1795) of the Qing Dynasty (1616-1911), were A Sunny Scene after a Quick Snow by Wang Xizhi, Mid-Autumn by Wang Xianzhi and Boyuan by Wang Xun (349-400). As father and son, Wang Xizhi and Wang Xianzhi have been known as the "Two Wangs," their works universally recognized as the peak of Chinese calligraphy.
People set great value on Wang Xizhi's calligraphic works. They liken his handwriting to a "frolicking dragon," vigorous, yet refined and elegant. His Preface to the Lanting Pavilion Collection, known as a gem of Chinese calligraphy, was the most representative of his style.
This calligraphic masterpiece has been widely extolled by calligraphers throughout the ages, for its dynamic significance and extraordinary grace. However, all that remains extant today are facsimiles of the original-said to have been buried in the tomb of Emperor Taizong (r.627-649) of the Tang Dynasty, since he was so fond of it.
Later generations were thus bereft of the chance to enjoy the genuine work. However, people's appreciation of it has nonetheless not been reduced. in fact, it has nurtured generations of calligraphers.